有一次，姨妈要汤姆刷墙。汤姆一开始觉得很新鲜、很好玩，可是，小汤姆做事只有三分热度，一会儿就觉得很无聊了，他可不想干这么枯燥无趣的事。这时，汤姆看到贝恩来了，马上装出一副很好玩的样子，上刷刷，下刷刷，左刷刷，右刷刷。贝恩看到了，感觉很新鲜、很有趣，像刷墙，汤姆见贝恩掉进了“陷阱”里，直到贝恩和汤姆交换苹果时汤姆才答应让贝恩刷墙。接着，来了很多小伙伴，都用玩具和汤姆交换了刷墙权。汤姆心里美滋滋的。不仅不用刷墙，还得到了很多玩具。我真佩服汤姆的智慧。

在法庭上，恶棍印江。乔埃和所有的“证人”都说是莫夫。波特杀害了鲁滨逊医生。而汤姆却勇敢的把当天自己藏在坟场里所看到的事实大声说了出来，原来是印江。乔埃杀害了医生！大家惊呆了！印江。乔埃赶紧逃走了。

?汤姆·索亚历险记》非常有趣，汤姆的机智让你敬佩，汤姆的勇敢让你赞叹，汤姆做的傻事让你哈哈大笑。快去翻阅一下这本有趣的《汤姆·索亚历险记》吧！

飘的英文读后感篇2

gone with the wind is a novel i read a long time ago, and i read it carefully. it was the only novel published by american novelist margaret mitchell:

the hero of the story is in the southern united states of tara manor's eldest daughter -- -- scarlett o 'hara, miss first novel about her everything from 15 to 28 course, this is a very beautiful girl, but she never wants to use the brain to think, in our view appear some stupid, but she is not stupid, she know what self want to, and then to strive for, just because she doesn't think in mind, and very capricious, also do not like to study, often only see the surface, and can't see things, the nature of her lost its way from the start, when she really think understand all this, she had already lost everything she owned.

i feel sorry for scarlett. they were supposed to be a couple, because scarlett didn't wake up early in her love ashley's dream, and she lost her favorite. my summary of scarlett is: she is very smart, have a strong will and indomitable spirit, the spirit of revolt struggle, have courage, and self destiny, the disadvantage is that: stubborn, capricious, she is not a good mother, no good care of yourself baby, actually she is a child; she was too young to see the nature of the matter, not to think, and these were doomed to her repeated tragedies.

scarlett's tragedy tells us to cherish what you have, don't dream about things you don't actually, in the end, you get nothing, like mei laney deathbed to scarlett said, "treat rhett, he is really love you."

in this book that i admire most is mei laney characters, a scarlett doesn't seem that and mediocre and beautiful women, when i saw her dying time, my tears flow out, so sorry for her. mei laney is a look at a person only the drawback of the advantages from the others, even if a person is only a little advantage, she would be amplified, considered to be a good person, even though she was thin and fragile, inside has a powerful force, she is very smart, knowledgeable, but never show in front of people, in the face of self husband ashley cowardly and impractical, she treat him with an inclusive heart, never blame self husband, she was able to see things, the nature of that scarlett will never beat her. i was very much in favor of captain rhett's comment on her, and rhett said, "she's the only good man he has ever seen, and a great woman!" i really like this, even if she is not the protagonist of the story, but its unique personality charm, won't forget her, is always a person to want to let all people like and respect is very difficult, but she can do it this, look at the advantages of a great character, even if in scarlett's eyes think this is very stupid, and it is this kind of personality makes her to be kind, always have the respect and love of the masses.

a good book can not only to see the inside poignant love story, but also to see when the american society of social practices, and their manners, and when the war years the situation of the masses, each depicting incisively and vividly, when we are sad happy excitement for the hero, also can see our shadow self from her body, good books can make really give a person with enlightenment.

飘的英文读后感篇3

活着，承载了多少意义、情感和力量呢?是进行时，是生命的持续状态，是灵魂的永恒追寻。

看完《活着》，想说说关于"活着"，这样广大却沉重的话题，似乎每一个语句都显得苍白，每一声叹息都显得无力;然而，活着，是进行时，是你我此刻正在经历的状态，无从逃避，直至那一天，你我在神的审判台前，而从那一天起，我们将活在永恒的国度里。而活着和永恒，有人只看到了一部分，于是没有永恒的方向，迷茫地活着。

当我们听着故事的叙述者——福贵将自己的经历娓娓道来，感觉着他活着的状态一点点变化：年少无知时，萎靡地活着，无视妻子的艰辛，无视父母的关切，无视现实的责任;风云突变后，挣扎地活着，战场上经历生存的残酷抗争，生活中面临活着的底线挑战，情感上体会为父为夫角色的重担;看尽生死后，麻木而乐观地活着，无牵无挂，无泪无述，也无欲无求。"少年去游荡，中年想掘藏，老年做和尚。"我们会默然发现，活着是一种状态，仅仅一个词，悲惨抑或苦难、凄凉、无奈，无法展现它的全貌，可是哪怕是其中一方面我们都无法深入触及。小说以时间为主线，讲述了福贵如何从游混于社会的阔少爷变成一无所有的佃农，如何从刚开始无所事事的"败家子"到最后持家生活的"顶梁柱"，如何从刚开始的淡漠亲情到后来饱尝白发人送黑发人的苦痛。

作为一个冷酷的作者，余华不动声色地让我们跟随他的冰冷笔调，目睹少爷福贵的荒诞、破产和艰难;继而又假惺惺地给我们一点点美好的希望，让有庆得到长跑第一名，让凤霞嫁了人怀了孩子，让某些时刻有了温情脉脉，有了简陋的欢乐。然而就在我们以为噩梦不再萦绕他们的时候，余华丝毫没有犹疑，他铁青着脸让自己的角色们迅速以各种方式死去，毫无征兆，近乎残忍，只留下我们错愕当场。

有庆是第一个突然死去的。"有庆不会在这条路上跑来了。"他的母亲说。大多数人应该在这个时候心痛不已。贫苦艰难的生活，福贵简单而粗暴的方式，都不曾让有庆对生活丧失希望。他热爱他的两只小羊，为了割草和上学每天来回奔命。所以当他在父亲眼前拿了长跑第一名的时候，我们都天真地以为悲剧该结束了，事情在慢慢好起来，于是有了一点淡淡的喜乐。

"我看着那条弯曲着通向城里的小路，听不到我儿子赤脚跑来的声音，月光照在路上，像是撒满了盐。"

一切就像一个巨大的诅咒。女儿，妻子，女婿，外孙，最后福贵只剩下自己。和一头也叫做福贵的老牛。

因为远离那些动荡的年月，因为并未真正有过艰难和困顿，这个故事让年青的我们不禁有些战栗。薄薄的十二万字，笼罩着"欲哭无泪的压抑"。只是阖上书本之时，内心似乎多了一些超越世俗欲望和纷争的平静。现实生活的无情与残忍，远比我们想象的要宽广;而活着，纵使要担当诸多难以承纳的苦痛，但是依然要坚忍，顽强。这应当便是生命的力量罢。

飘的英文读后感篇4

there were 4 little characters who were looking for cheese to nourish them.

two were mice named “sniff” and “scurry”。 two were little people named “hem” and “haw”。 every morning, the mice and the little people went to cheese station c where full of cheese.

one morning, sniff and scurry arrived at cheese station c and discovered there was no cheese. they werent surprised,since they had noticed the supply of cheese had been getting smaller every day,

they had prepared for this change. they quickly searched for new cheese. sniff and scurry finally found cheese station n which was the biggest store of cheese. meanwhile,hem and haw were anxious and couldnt accept the fact. they just wanted cheese back. later,haw decided to go out to find cheese.on the way,haw kept adjusting himself and tried his best. finally he found station n. the three characters had cheese to eat while hew was still in station c with no cheese.

飘的英文读后感篇5

when i was a middle school student, i’ve finished this book in chinese.but when i read it in english,i really gain something new both in the way of expression and the spirit it shows to us.may be different ages to read the same book we will learn different things from it.at least, for my part, that is true.

firstly,i would like to review some information about this book.such as the background,major characters and the topic of it.

the old man and the sea is a story by ernest hemingway, written in cuba in 1951 and published in 1952. it was the last major work of fiction to be produced by hemingway and published in his lifetime. one of his most famous works, it centers upon santiago, an aging cuban fisherman who struggles with a giant marlin far out in the gulf stream.

the old man and the sea served to reinvigorate hemingways literary reputation and prompted a reexamination of his entire body of work. the novella was initially received with much popularity; it restored many readers confidence in hemingways capability as an author. its publisher, scribners, on an early dust jacket, called the novella a "new classic," and many critics favorably compared it with such works as william faulkners "the bear" and herman melvilles moby-dick.

this book gives me a deep impression especially the description about the man’s braveness and persistence.

in this book, in order to suggest the profundity of the old man’s sacrifice and the glory that derives from it, hemingway purposefully likens santiago to christ, who, according to christian theology, gave his life for the greater glory of humankind. crucifixion imagery is the most noticeable way in which hemingway creates the symbolic parallel between santiago and christ. when santiago’s palms are first cut by his fishing line, the reader cannot help but think of christ suffering his stigmata. later, when the sharks arrive, hemingway portrays the old man as a crucified martyr, saying that he makes a noise similar to that of a man having nails driven through his hands. furthermore, the image of the old man struggling up the hill with his mast across his shoulders recalls christ’s march toward calvary. even the position in which santiago collapses on his bed—face down with his arms out straight and the palms of his hands up—brings to mind the image of christ suffering on the cross. hemingway employs these images in the final pages of the novella in order to link santiago to christ, who exemplified transcendence by turning loss into gain, defeat into triumph, and even death into renewed life.

the major characters in this book are also vivid and lively.

santiago?,the old man of the novella’s title, santiago is a cuban fisherman who has had an extended run of bad luck. despite his expertise, he has been unable to catch a fish for eighty-four days. he is humble, yet exhibits a justified pride in his abilities. his knowledge of the sea and its creatures, and of his craft, is unparalleled and helps him preserve a sense of hope regardless of circumstance.

the marlin?,santiago hooks the marlin, which we learn at the end of the novella measures eighteen feet, on the first afternoon of his fishing expedition. manolin?,a boy presumably in his adolescence, manolin is santiago’s apprentice and devoted attendant. the old man first took him out on a boat when he was merely five years old. due to santiago’s recent bad luck, manolin’s parents have forced the boy to go out on a different fishing boat. manolin, however, still cares deeply for the old man, to whom he continues to look as a mentor.

joe dimaggio, although dimaggio never appears in the novel, he plays a significant role nonetheless. santiago worships him as a model of strength and commitment, and his thoughts turn toward dimaggio whenever he needs to reassure himself of his own strength. perico ?,perico, the reader assumes, owns the bodega in santiago’s village. he never appears in the novel, but he serves an important role in the fisherman’s life by providing him with newspapers that report the baseball scores. this act establishes him as a kind man who helps the aging santiago.

martin,like perico, martin, a café owner in santiago’s village, does not appear in the story. the reader learns of him through manolin, who often goes to martin for santiago’s supper. as the old man says, martin is a man of frequent kindness who deserves to be repaid.

from the very first paragraph, santiago is characterized as someone struggling against defeat. he has gone eighty-four days without catching a fish—he will soon pass his own record of eighty-seven days. almost as a reminder of santiago’s struggle, the sail of his skiff resembles “the flag of permanent defeat.” but the old man refuses defeat at every turn: he resolves to sail out beyond the other fishermen to where the biggest fish promise to be. he lands the marlin, tying his record of eighty-seven days after a brutal three-day fight, and he continues to ward off sharks from stealing his prey, even though he knows the battle is useless.

because santiago is pitted against the creatures of the sea, some readers choose to view the tale as a chronicle of man’s battle against the natural world, but the novella is, more accurately, the story of man’s place within nature. both santiago and the marlin display qualities of pride, honor, and bravery, and both are subject to the same eternal law: they must kill or be killed. as santiago reflects when he watches the weary warbler fly toward shore, where it will inevitably meet the hawk, the world is filled with predators, and no living thing can escape the inevitable struggle that will lead to its death. santiago lives according to his own observation: “man is not made for defeat . . . [a] man can be destroyed but not defeated.” in hemingway’s portrait of the world, death is inevitable, but the best men （and animals） will nonetheless refuse to give in to its power. accordingly, man and fish will struggle to the death, just as hungry sharks will lay waste to an old man’s trophy catch.

the novel suggests that it is possible to transcend this natural law. in fact, the very inevitability of destruction creates the terms that allow a worthy man or beast to transcend it. it is precisely through the effort to battle the inevitable that a man can prove himself. indeed, a man can prove this determination over and over through the worthiness of the opponents he chooses to face. santiago finds the marlin worthy of a fight, just as he once found “the great negro of cienfuegos” worthy. hsantiago, though destroyed at the end of the novella, is never defeated. instead, he emerges as a hero. santiago’s struggle does not enable him to change man’s place in the world. rather, it enables him to meet his most dignified destiny.

while it is certainly true that santiago’s eighty-four-day run of bad luck is an affront to his pride as a masterful fisherman, and that his attempt to bear out his skills by sailing far into the gulf waters leads to disaster, hemingway does not condemn his protagonist for being full of pride. on the contrary, santiago stands as proof that pride motivates men to greatness. because the old man acknowledges that he killed the mighty marlin largely out of pride, and because his capture of the marlin leads in turn to his heroic transcendence of defeat, pride becomes the source of santiago’s greatest strength. without a ferocious sense of pride, that battle would never have been fought, or more likely, it would have been abandoned before the end.

santiago’s pride also motivates his desire to transcend the destructive forces of nature. throughout the novel, no matter how baleful his circumstances become, the old man exhibits an unflagging determination to catch the marlin and bring it to shore. when the first shark arrives, santiago’s resolve is mentioned twice in the space of just a few paragraphs. even if the old man had returned with the marlin intact, his moment of glory, like the marlin’s meat, would have been short-lived. the glory and honor santiago accrues comes not from his battle itself but from his pride and determination to fight.

santiago dreams his pleasant dream of the lions at play on the beaches of africa three times. the first time is the night before he departs on his three-day fishing expedition, the second occurs when he sleeps on the boat for a few hours in the middle of his struggle with the marlin, and the third takes place at the very end of the book. in fact, the sober promise of the triumph and regeneration with which the novella closes is supported by the final image of the lions. because santiago associates the lions with his youth, the dream suggests the circular nature of life. additionally, because santiago imagines the lions, fierce predators, playing, his dream suggests a harmony between the opposing forces—life and death, love and hate, destruction and regeneration—of nature.

this book gives me courage of conquering all kinds of difficulties .and i have the belief that the most beautiful thing is the process that we make our best to achieve our dream,and never say give up .

飘的英文读后感优质5篇相关文章：

飘的英文读后感优质5篇